The Perfect Neighbor Analysis: Examining a Notorious Shooting Through the Lens of a Florida Officer's Body-Cam

The real-life crime genre has a new medium, or perhaps even a completely fresh vocabulary and structure: officer-worn camera recordings. Faces of victims, witnesses and possible perpetrators loom up to the cameras, sometimes in the intense brightness of vehicle beams or flashlights as the officers approach, their expressions and tones eloquent of wariness or fear or indignation or dubiously feigned naivety. And we frequently catch sight of the expressions of the law enforcement personnel, one waiting impassively while the other asks the questions with what sometimes seems like extraordinary diffidence – though maybe this is because they are aware they are being recorded.

An Emerging Pattern in Non-Fiction Cinema

We have previously seen the Netflix true-crime documentary The Gabby Petito Case, about the killing of an Instagram influencer by her boyfriend, whose main point of interest was officer recordings and in which, as in this film, the police seemed extraordinarily lax with the perpetrator. There is also the acclaimed short film Incident by Bill Morrison, made exclusively of officer footage. Now comes a new film by Geeta Gandbhir about the tragic incident of Ajike Owens in a city in Florida, a woman of colour whose four young kids reportedly bothered and tormented her neighbor, a local resident. In 2023, after an increasing number of neighbour-dispute incidents in which the authorities were repeatedly called, the accused fatally shot Owens through her locked door, when the victim went to Lorincz’s house to address her about throwing objects at her children.

The Police Inquiry and State Laws

The arresting officers found evidence that Lorincz had done internet searches into Florida’s “stand your ground” laws, which allow residents and others to shoot if there is a significant presumption of danger. The documentary builds its story with the officer recordings captured during the repeated police visits to the scene before the killing, and then at the horrific and chaotic incident site itself – introduced by emergency call recordings of the caller calling the police in a melodramatically shaky voice. There is also jail video of the individual which has a chilly, queasy fascination.

Portrayal of the Accused

The documentary does not really suggest anything too complex about Lorincz, or any extenuating circumstance. She is obviously disturbed, although the kids are heard calling her “the Karen”, an hurtful taunt. The production is showcased as an example of how “stand your ground” laws lead to unnecessary and heartbreaking bloodshed. But the reality of firearm possession and the constitutional right (that historic American constitutional privilege that a late commentator famously claimed made gun deaths a necessary cost) is not much highlighted.

Officer Questioning and Gun Culture

It is feasible to watch the police interrogation scenes here and feel astonished at how little interest the officers took in this aspect. When did she buy her gun? Where (if anywhere) did she train in its use? Had she ever had occasion to fire it before? How was the gun kept in her home? Could it have been easily accessible and prepared? The police aren’t shown asking any of these surely relevant questions (though they may have done in footage that didn’t make the edit). Or is gun ownership so normal it would be like asking about microwaves or toasters?

Arrest and Aftermath

For what seemed to her neighbors a very long time, the suspect was not even taken into custody and indicted, only held and even provided accommodation away from home for the night (another point of comparison, by the way, with the a prior incident). And when she was ultimately formally arrested in the detention area, there is an remarkable scene in which Lorincz simply refuses to stand, refuses to put her wrists out for the cuffs, not hostilely, but with the courteously pathetic demeanor of someone whose psychological state means that she is unable to comply. Did the gentle handling up until that point led her to think that this might actually work?

Conclusion and Verdict

It didn’t; and the panel's decision is saved for the end titles. A very sombre picture of American crime and punishment.

This Documentary is in cinemas from 10 October, and on the streaming platform from October 17.

Christine Ryan
Christine Ryan

A passionate artist and designer with over a decade of experience in digital and traditional media, sharing creative journeys and insights.